Carbonator

New one with the Manila Bulletin.

Interview with Nick & Denise by the dapper Thomas Fink at Exchange Values.

Here's an old review of Secret Asian Man which I consider as the best critical writing done on any of my books. It's by Vic Velasco.

An interview in Mangrove done by Neil de la Flor about my visual poetry.

My favorite interview is by Profesora Elisabetta Marino, from the University of Rome, Tor Vergata which I did in Italian for the academic cultural magazine El Ghibli. sulla scrittura dell io attraverso la poesia: un intervista a nick carbo: Here.

Here's an interview with Rommel, a kindly undergraduate at SFSU who had to do a big web project on a contemporary poet. It seems he forgot to use his spell check and grammar check before posting to the web. Here.

Almost forgot about this one from National Public Radio in their Intersections program of the Morning Edition show. You can download and hear the interview as well as see links to other resources. Here.

Here's a "Conversation" with me and the fab fiction writer M. Evelina Galang which was conducted by Rocio Davis for the Filipino American Literature issue of the academic journal MELUS. Here.

A nice interview with the famous Ivy Alvarez done in Dublin, Ireland for the Aussy lit mag CORDITE: Here.

fi yuo cna raed tihs,
yuo hvae a sgtrane
mnid too

Cna yuo raed
tihs? Olny 55 plepoe
out of 100 can.

i cdnuolt blveiee
taht I cluod aulaclty
uesdnatnrd

waht I was rdanieg.
The phaonmneal pweor
of the hmuan

mnid, aoccdrnig to
rscheearch at Cmabrigde
Uinervtisy, it dseno't mtaetr

in waht oerdr
the ltteres in a
wrod are, the olny

iproamtnt tihng is
taht the frsit and lsat
ltteer be in the rghit

pclae. The rset can be
a taotl mses and you
can sitll raed it whotuit

a pboerlm. Tihs is bcuseae
the huamn mnid deos
not raed ervey lteter by

istlef, but the wrod
as a wlohe. Azanmig
huh? yaeh and I awlyas

tghuhot slpeling was
rlely, rlley
ipmorantt!

"This film is unfortunately so visually and aurally assualtive that it is almost
literally unwatchable and indecipherable. The rhythm of the imagistic
juxtapositions is too repetitive so it becomes boring. It is really difficult to
follow the text. It's just too bad too."

Thanks again for submitting to our Festival and Screenplay Contest. We hope to
see another film of yours submitted in the future.

Matthew Toffolo, Festival Director
WILDsound Film and Screenplay Festival

where i went? i migrated to HERE:

http://profile.to/nickcarbo/

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